radical education collective

Parallel curating? – a REC case, by B. PiA?kur

Posted on | November 25, 2012 | No Comments

Parallel curating is a position, or a decision that we, as payday loans curators, have certain competences which we bring to various artistic, political, and educational models by using non-hegemonic protocols of research, collecting,

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knowledge production, viagra paypal free. and exhibition making based on common interests. In addition to that, parallel models also subvert ai???units of measureai??? ai??i?? time: This is done on two levels: on the level of artwork and on the level of labour. As Lazzarato has

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noted, art has the capacity to interrupt capitalist time, introduce an ‘order of difference’ into this rationalized time and produce new meanings. Many artists sms tracker agent disguised have dealt with disruptions of time through the topics of laziness,

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play, stepping out of the art payday loans near me system, or making their own archives, exhibitions and so on. But in my view, parallel curating should not be limited only to artistic production, but should extend to the relationship between artistic work and social payday loans online labour as a whole. There can hardly be artistic creations if they are cut off from

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Let me elaborate on this. Under capitalism artistic work has always been considered relatively free, representing an ideal of liberated labour, removed from the traditional antagonisms between labour and capital. The reasoning was that art could not be imposed by force. Therefore artists have always had certain autonomy and their work carried with it the mark of singularity. But

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in the 80s, a relatively new cultural-economic model became instituted, which introduced a different and more complicated relationship between art and autonomy on the one hand, and labour and capital on the other. While art production was still granted relative creative autonomy, and now creating surplus value, the declining material legit canadian pharmacy working conditions for artists, and their declining control over the reproduction and distribution of their ideas, knowledge and commodities was pushing them further into a contractual relationship with capital ai??i?? into wage labour. In addition to that, artists as well as curators became part of the new expanded working class. But that does not mean that they identified with wage workers. On the contrary, cialis vs viagra levitra they have remained in a contradictory position between wage labor and the

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a dynamic process, which takes into account antagonisms of art production and labour, resistance against exploitation and commodification, as well as various desires, affects and other subjective components embedded in the work processes and payday loan in work itself.

And what is parallel curating as resistance? What kinds of models are constructed? How do they affect the ai???landscapeai??? of an art museum, for example? Or, on a more pessimistic note, as Iles and Vishmidt asked: after 500 years of capitalism are we any longer in a position to distinguish between payday 2 masks work and capitalist work, order viagra online art and commodity art, life and capitalist life, even use-value and exchange-value? And, if I may add: hegemonic and non-hegemonic curating?

In this context I would like to talk about a project, a process, a research methodology, a collective called radical education. It was developed in Moderna galerija, but it was also cialis us pharmacy online independent from it at the same time. The people involved in REC came from different backgrounds:

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political activism, migrant movements, anarchism, art, anthropology etc. There were many debates from the start, for example about ceebis tadalafil 20mg participatory-multicultural projects because, for one, we did not want REC twitter.com to be understood as a kind of participatory project within an art institution, or as part of the prevailing multicultural paradigm. Our opinion was that such temporary solidarities, such identifications between minorities,

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nowai???. paydayloansusca.com The idea behind REC was to create a contact surface between social movements and the art institution, and to invent instant payday network new institutional forms of resistance, with resistance being a common ground for anticipating new rules, a ground buy viagra where, as Virno says, ai???aesthetics and social resistance would meetai???.

One of the aims of REC was to define common investigations between the two fields i.e. art and politics, and to ascertain, through defining concepts such as power, work, labour, aesthetic experience, affects, etc., what it is that art forms and forms of political resistance have in common. For example: a question that we generic cialis found very important and around which we organized a series of ai???Resistance as creationai??? seminars together with migrant workers, political activists and cultural workers in the Ljubljana social center was: What is creation? Not only from the perspective of art work but also from the

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Can art function as a tool of political emancipation? It is important to emphasize that the REC position was not only to formulate a meaningful and pharmacy online relevant set of questions but, above all, to confront these questions in collective situations, to democratize expert knowledge and produce common knowledge instead. Here common knowledge is understood as theoretical thinking accompanied by politically active attitudes that test its social effectiveness and enhance the support of, and strategies for, common areas of conflict.

Another aspect instant online payday loans of REC online payday loan was a series of research projects based on Marxai??i?? argument about capitalism hiding its methods of exploitation. We were intrigued how it was possible that, despite the relative autonomy of creation, the contradictions of work in the sphere of culture have been so obscured that work is often considered not only as stimulating and fulfilling but also as being without

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elements of exploitation. Some authors have even called this work ai???the labor of loveai???. The key to understanding exploitation here lies in discerning how it shapes work and the workersai??i?? life, from flexible working hours to the absence of social and health benefits, and precarious working conditions, such as living on residencies, or from one project to the next etc. Departing from these paradigms REC started a small-scale research initiative based on Marx’ Workers Inquiry, which has so far been carried out in Madrid (with WIG) payday and Belgrade cialis and nitrates payday the heist (with the Ai??kart collective). WI is a 100-question research methodology that can be conducted in various formats, either as oral interviews or written narratives. It also serves as a kind of self-emancipation tool in the spirit of Marxai??i??s words that the emancipation of workers must come from workers themselves. The questions

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and living conditions. One of the questions that were addressed through the inquiry and which opened a completely new territory of discussion was: What happens if you refuse to be alienated from the results of your labor? This was spy software for android a particularly important issue to discuss in Serbia, where the survey was conducted among cultural workers who had lost their jobs or been harassed or even psychically assaulted in their work environments for such reasons as political and social activism, sexual orientation, criticism of neoliberal tendencies in culture, etc. What was important for REC were the ways in which to organize the ai???unorganizedai??? beyond the division of those permanently employed in cultural institutions and precarious workers. Politicizing those working in culture gentix tadalafil 20mg in connection with labour movement was generic cialis one the issues of the

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a political sense ai??i?? in other words, how joint ai???possibilities for politicsai??? could be created.

Continuing in this direction, we organized a public encounter ai???What next?ai??? in MSUM on the status of art and culture in a time of austerity. The emphasis was on the alternative models of organizing that are being considered in the sphere of culture. In this, the experiences of various movements and initiatives were being used as a source for new possible modes of working.

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What was relevant in the particular relationship between an art institution and REC was the question of how to link new institutional experiments and a new production of norms with the production of institution. In this regard RE could be seen as a different model of curating that can only be samsung bluetooth activity tracker for android reviews ai???producedai??? in an institution that continuously reflects on how it operates. Based on what has been said, parallel curating could be understood as a process of defining new norms for http://cellphonetracker24.com/ organizing space, legitimating it as a space of the celebrex buy cialis cost per pill commons through events, different kinds of alliances, collective organizing and producing and sharing of common knowledge via common political affinities.

November 2012, a shortened version of a text, written for the colloquium organized by Clark Art & MSUM.

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